Thus, the perception of fiction depends on our attitude to its essence, that is, to a degree of reality or unreality of the events depicted. However, the modern man - a very complex feeling that makes all the complexity and diversity of experience of the fantastic.

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Modern child believes in a fairytale, but from adults in cognitive radio transmissions, television he already knows or suspects that "everything in life is not so." Therefore, to share his faith mingled disbelief and he is able to perceive the incredible events of how real, how fantastic, is on the verge of real and fantastic.

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An adult "does not believe in the miraculous, but he sometimes tend to resurrect a previous, naive" children's "point of view that with the fullness of experience to plunge into the imaginary world, in short, to his disbelief mingled with the proportion of " faith ", and in a pre-if begins to "blink" a real and genuine.

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Even if we are firmly convinced of the impossibility of fiction, it does not make it into our eyes, the interest and aesthetic appeal, because the fantastic nature becomes in that case how would hint at other, as yet not known aspects of life, pointing to its eternal newness and inexhaustible. In the play, Shaw's "Back to Mafusailu" one of the characters (Snake) said: "The miracle - it is something that can not yet possible. What cannot happen and yet is.

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"And really, no matter how depth and no multiplies our scientific knowledge, the appearance of, say, a new creature will always be perceived as a "miracle" - the impossible, and at the same time very real. It is the complexity of the experience of fantasy allows her to easily integrate with irony and laughter to create a special genre of ironic tales (X. K. Andersen, Oscar Wilde). Unexpected happens: irony seemed set to kill or at least weaken the fiction, but in fact it strengthens and reinforces a fantastic start as encourages us not to take it literally, think about the hidden meaning fantastic situation. The history of world literature, especially modern and contemporary, from Romanticism (late XVIII - early XIX century.), Has accumulated an enormous wealth of artistic arsenal fiction. Its main types are determined by the degree of clarity and relief fantastic start: explicit fiction, fantasy implicit (veiled) fiction, receives a natural explanation of the real, and so on. In the first case (a blatant fiction) supernatural forces openly come into play: Mephistopheles in "Faust Johann Wolfgang Goethe. Fantastic characters come into direct relations with people trying to influence their emotions, thoughts, behaviors, and relationships are often acquiring the character of criminal conspiracy with the devil. For example, in the tragedy of Faust Goethe. Finally, there is this kind of fiction that is based on the most complete and perfectly natural motivations.